Void

Sightless, I wander still.

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glamqueen521:

Givenchy f/w 13

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9th:

[“LIVING MONUMENT” — PHOTO THANANON THANAKORNKARN, WALLPAPER THAILAND (MARCH 2013)]

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girlannachronism:

Balmain fall 2012 rtw details

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“Retrato de una dama” Mona Johannesson photographed by Juan Gotti for Vogue Spain October 2006

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idreamofaworldofcouture:

‘Made in Paradise’ Photographed by Ruven Afanador for Vogue Germany, October 2001

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monicamb69:

Shaun Leane for Alexander McQueen
“Spine” CorsetUntitled, spring/summer 1998Aluminum and black leatherCourtesy of Shaun LeanePhotograph © Sølve Sundsbø / Art + Commerce
Shaun Leane: He was always fascinated by the spine. So he asked me to create a corset, which was the spine with the rib cage, so that the girl could actually wear this as a corset on the outside of her body, so we would see the beauty of these bone structures on the outside, attached to the dress.And as we were doing it, Alexander came to me and said, “Will you put a tail on this?” And where he got that idea was out of the film The Omen. When the mother of the omen was discovered—her skeleton—she was half-raven and half-dog, and he was quite inspired by this.
In McQueen’s Words
“I find beauty in the grotesque, like most artists. I have to force people to look at things.”
Harper’s Bazaar, April 2007

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monicamb69:

Shaun Leane for Alexander McQueen“Coiled” CorsetThe Overlook, autumn/winter 1999–2000AluminumCourtesy of Shaun LeanePhotograph © Sølve Sundsbø / Art + Commerce
Shaun Leane:The “Coiled” Corset was a particularly amazing piece because I had to cast the model’s torso in concrete to get an exact form of her, and then I had to literally form every coil, one by one, front and back, and work all the way up, so that it was a perfect fit. And she’s actually placed into the corset, and then it’s screwed all along the side, and up the arms, and beside the neck. There are tiny, little bolts, so the model’s actually screwed into the piece.
It’s not heavy. It’s made from aluminum, and even though it looks quite restrictive, the model actually said the piece was actually very, very comfortable.
It’s a beautiful piece in my mind because it looks quite like armor, but then it’s very flattering to the female form, and it’s a really beautiful silhouette of the female form.
The beautiful thing about the whole collaboration, working with McQueen, was that it helped me push the boundaries of how jewelry should be perceived and how it should be worn, and we’re left with these beautiful iconic pieces.
In McQueen’s Words
“I especially like the accessory for its sadomasochistic aspect.”
L’Officiel, February 2010

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andrew westermann shot by pierre debusschere for i know simply that the sky will last longer than i

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opaqueglitter:

Masha Novoselova by Txema Yeste, “Go Wild” for V Magazine Spain

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abigaildonaldson:

“Rehearsal” Balmain jacket photographed by Michael Sanders for Elle Italia January 2013

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burningsilversnow:

I have a slight attraction to runway music. Absolutely love Elie Saab’s haute couture fall/winter 2012-2013 one and a lot of Gareth Pugh’s.

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